VANESSA ILLI
(T)PS/P.S.
(TANTE) PICCOLE SOLITUDINI - POST SCRIPTUM
monastery of san lorenzo
BELFORTE DEL CHIENTI, p.zza v.emanuele II
SEPTEMBER 12, 2026 – OCTOBER 11, 2026
Open SATURDAY AND SUNDAY
Hours: 10:30 am–12:30 pm / 3:30 Am–7:30 pm

Reflections (seen once more) on everyday melancholy in the form of one-piece chairs
It is a visual collection of silent presences: one-piece plastic chairs, photographed across Italy, forgotten or waiting.
They are commonplace, interchangeable objects, sometimes overlooked. But if you look at them closely, you realise that each one is a postscript left in
the landscape: a final note, a trace that says something that had not been said before.
In these images there is melancholy, but not sadness.
There is a longing for what has passed and the delicacy of the smallest gestures: someone sat down, waited, looked, loved, left something behind.
Then they left.
The chairs speak. They are small, empty yet profound islands.
They capture the (many) small moments of solitude that we all share.
Untold stories, lives barely touched upon, fragments of ourselves that remain in the places we pass through.
Small gestures, such as sitting down beside someone to listen to them. Every photograph is an invitation to slow down, to observe, to remember. And perhaps to write your own postscript.
EXHIBITION OPENING HOURS
Vanessa Illi’s visual work straddles the line between reportage photography and a conceptual exploration of the human landscape.
A professional photographer with fifteen years’ experience, she developed her own style as a self-taught artist from the age of seventeen, experimenting with analogue photography.
(T)PS / P.S. (Tante) Piccole Solitudini – Post Scriptum marks a turning point in her work: a visual survey of everyday melancholy through the archetype of the one-piece plastic chair.
In her compositions, this mundane object becomes a monument to solitude and waiting. Influenced by Henri Cartier-Bresson’s concept of the ‘decisive moment’.
Vanessa isolates these fragments of reality, restoring to them poetic dignity, delicacy and a subtle, constant irony.

